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How Much Would You Pay for the New Republic?

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The New Republic is for sale. Its owner, Facebook co-founder Chris Hughes, announced in a post on Medium Monday that the venerable political publication “needs a new vision that only a new owner can bring.” Hughes purchased the New Republic in 2012 and made numerous stabs at making it influential and profitable, impulses that haven’t always coexisted smoothly.

One of Hughes’s early acts as owner was to hire Franklin Foer as editor, then assemble a staff that shared Foer’s desire to protect the magazine’s legacy while it navigated the transformation of the journalism business to mostly digital readership. And in late 2014, he fired Foer, part of an attempt to transform the organization into what CEO Guy Vidra called a “vertically integrated digital media company.”

So what’s one of those go for these days? Hughes reportedly bought the publication for $2.1 million. In his letter, Hughes says TNR’s “search for a workable business model has come up short,” despite a never-ending stream of ideas like New Republic-branded bookstores and cafes and a newish in-house content-marketing studio called Novel, which I am informed would convey with TNR’s print magazine and digital properties.

The New Republic was in bad shape when Hughes bought it. Former owner Martin Peretz sold most of the magazine to to the Canadian media group Canwest Global Communications Corp in 2007. (“We just didn’t have the $3 million a year to spend any more,” Anne Peretz told the New York Times). He bought most of it back two years later. But by 2011 its print circulation had dropped below 30,000, and its financial outlook was very grim.

Richard Just, the editor in 2011, contacted Hughes through a mutual acquaintance and asked whether he’d be interested in investing in the publication. Hughes bought a majority stake and, not much later, fired Just and brought back Foer. He promised to “expand the amount of rigorous reporting and solid analysis.” He reportedly told people he hoped to turn the publication into a “New Yorker of D.C.

In his letter, Hughes says he’s put more than $20 million into the New Republic. A potential new owner would be fairly interested in knowing where that went, besides, of course, very nice office spaces in DC and New York (you can see Hughes’ NYC office in the photo atop this story).

I’m not privy to the New Republic‘s profit-and-loss statements, but let’s assume from his statements that Hughes isn’t getting rid of the publication because it’s throwing off vast amounts of money, or even breaking even. According to TNR’s most recent statement filed with the Alliance for Audited Media, it has print circulation of 41,607 (which includes about 9,500 subscribers to TNR’s digital edition). Its media kit claims 2.7 million monthly unique visitors to its website, though numbers I got from the metrics firm comScore–which look a bit low to people who have seen TNR’s internal metrics over the past few years–say it had an average of 1.6 million unique visitors from November 2014-November 2015.

That’s not a huge user base. The pitch to a potential new owner is the quality instead of the size of the New Republic‘s audience. The media kit touts the long amount of time it says readers spent on “top-performing content” last year (8.5 minutes) and the large number of pageviews returning readers hit on average (5.1).

Any decision to sell the publication based on loyalty, though, is complicated by its recent history. Much of the masthead followed Foer out of the door, and the publication has pursued (wisely, in my opinion) new readers in its reboot under Editor-in-Chief Gabriel Snyder. Snyder has aggressively pursued more diversity among TNR’s once-homogenous staff, who used to discuss whether potential applicants were smart or “TNR smart” (the people who passed that test apparently just happened to be very similar). 

But what does that new brand mean to readers? As the media-business analyst Rick Edmonds notes in a good piece about TNR’s potential sale, there are plenty of lefty outlets that offer young writers an “editorial mix of commentary, in-depth reported pieces and literary essays”–with bigger platforms, and without any of the attendant drama and periodic identity crises. TNR shed its old brand publicly, but its replacement is still very much a work in progress.

Reached by email, Edmonds (a former coworker of mine) says he believes that any sales price for the New Republic would be “very low,” citing the sales of Businessweek (for reportedly $5 million in 2009) and Newsweek (which sold for $1 in 2010 and for an undisclosed amount in 2013).

“The bigger expense for a buyer will be covering ongoing losses and investing in transformation initiatives,” Edmonds says.

Raju Narisetti, who helped bring the social news agency Storyful to News Corp, says Hughes’ letter has “interesting parallels” to the 2013 sale of the Washington Post to Amazon founder Jeff Bezos, where previous owners “also said that their efforts to develop a sustainable business model have failed and that it was time for the Post to have a new vision, resources and ownership.” Ever since, Bezos’ personal fortune has given the Post the financial runway it needed to pursue digital success as its print business declined.

With luck, Narisetti says, “TNR might end up in the hands of someone who isn’t buying it for short-to-medium term profits and has the resources and patience to give it a shot, minus the drama the previous owners created.”

Indeed, Hughes suggests that TNR’s possible futures could include being “run as part of a larger digital media company, as a center-left institute of ideas, or by another passionate individual willing to invest in its future.”

Wait a second, isn’t that last one the business model the New Republic already has? In other words, a billionaire owner. Just not this one.

The Article How Much Would You Pay for the New Republic? appeared first on Washingtonian.


It’s Perfectly Okay to Panic About Snow in DC

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Washington faces a “memorable” snowstorm, which is good news for people who like to feel superior to their neighbors.

Guys, the hashtag you want is #weatherwimps, and it’s about to get a lot of fun! But for the rest of us—and I write this as the son of people who for some reason only recently fled the nation’s snowiest town—there are perfectly good reasons to beware of even non-memorable snowstorms in this area. Here are just a few:

  1. We don’t get a lot of snow here, so governments plan accordingly. In an FAQ about snow removal, the city of Alexandria answers the question “I used to live in Chicago/Buffalo/Pittsburgh, and they always did a better job responding to snow” by noting it “typically receives 15 inches of snowfall per year” and that its “snow budget and plans are set based on this expectation, with some additional contingencies.”  Even the District of Columbia, now pretty good at clearing snow, has, at best, “345 pieces of equipment and approximately 750 personnel available for any given storm,” including private contractors, to clear 2,300 miles of roads.
  2. If you have kids, prepare to spend some time with them. Many Washington-area school districts are quick-draws when it comes to school closings, and for good reason. Fairfax County Assistant Superintendent Jeffrey Platenberg told the Washington Post his decision to close schools in advance of the 2013 “Snowquester” non-storm was based on “the idea of young, inexperienced high school drivers out on frozen stuff.” Local governments remember all too well the 2011 snowstorm that trapped drivers for hours on area roads, and no one wants a lawsuit. They’ll be home with you. Here are some ideas of stuff you can do with them.
  3. Snow is a pain, even if you plan ahead. Even people who’d never dream of ransacking a Giant and pre-treat their sidewalks with liquid magnesium chloride will tell you it just plain sucks to deal with a lot of snow, especially if you live somewhere you can’t count on plows coming through. Also, snow shoveling is kind of dangerous! The Cleveland Clinic estimates 11,000 people per year go to the hospital because of snow shoveling, 7 percent of them for heart attacks. The American Heart Association has tips about staying safe while shoveling—including advice to not drink beforehand, which may be difficult if you’re stuck in the house with your kids.

The Article It’s Perfectly Okay to Panic About Snow in DC appeared first on Washingtonian.

Behold the Frozen Beauty of Blizzard-Covered Washington

A Salute to Jeff Bezos’s Swashbuckling Necktie

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At the dedication for the Washington Post‘s new building Thursday, owner Jeff Bezos talked about the how the publication is a “little more swashbuckling” these days.  “There’s a little more swagger,” Bezos said. “There’s a tiny bit of badassness here at the Post.”

As if to underscore the devil-may-care attitude he senses in the joint lately, Bezos commemorated the occasion with a large-checked tie so wide it threatened to poke out eyes on either side of the stage in the building’s grand events room.

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Contrast his tie with Post Publisher Fred Ryan’s tasteful, narrower, fine-checked cravat.

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Or Secretary of State John Kerry’s very nice sky-blue number of reasonable width.

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Or even Executive Editor Marty Baron’s brownish, maybe-a-little-wider-than-you-or-I-might-choose but still very nice tie.

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Some may look at Bezos’s tie and see classic disruption, the same spirit that has helped the Post not only become a little more swashbuckling but beat the New York Times online (this is, of course, my view). My more fashionable colleagues disagree. The tie “has the effect of sucking him to the ground,” Washingtonian fashion editor Sarah Zlotnick says. “The next time he wants to stand tall in a room, he should go with something slimmer.” The tie’s wide-check pattern doesn’t help, Zlotnick says: “A general rule that could be good to follow is the bigger the pattern, the skinnier the tie.” 

Bezos may be in Washington all weekend–he was spotted in the Post newsroom Friday and there’s a town hall meeting with him planned for Monday. If he’d like to check out some better ties, Zlotnick advises he visit the Shay, where both Read Wall and the Tie Bar offer good-looking neckwear. Or as a visitor to DC with a few coins to rub together, he may enjoy a visit to CityCenterDC.

That said, any Post employees who’d like to surprise Bezos with an approximation of his tie at the meeting Monday should hit Amazon, where a skinner version by SetSense goes for $8.99 and one by Scott Allan (alas, again not as wide) is $11.99 and Prime-eligible. If you wear such a tie to the town hall meeting, please do send me a photo.

Full disclosure 1: This is not the first time I have questioned one of Bezos’s fashion choices.


Full disclosure 2: I have no business criticizing anyone’s fashion choices.

The Article A Salute to Jeff Bezos’s Swashbuckling Necktie appeared first on Washingtonian.

20 Things to Do In DC This February

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1. “Seeing Nature: Landscape Masterworks From the Paul G. Allen Family Collection”

Phillips Collection, February 6–May 8

Officially, this exhibit chronicles how painting natural scenes has evolved through various artistic movements. Unofficially, it offers a window on an environment that few normally see: the private collection of Microsoft cofounder Paul G. Allen, who owns these landscapes by Monet, Jan Brueghel the Younger, Cézanne, and O’Keeffe, among others. $12.

2. Lupe Fiasco

Photograph by Jason DeCrow/AP Images.
Photograph by Jason DeCrow/AP Images.

9:30 Club, February 21

Chicago-bred Lupe Fiasco has recorded five albums, including Lasers, which topped the Billboard charts with the help of the anthemic “The Show Goes On.” The Grammy-winning rapper is known for sharp social commentary, both in his lyrics and during performances, as in January 2013 when he was escorted off the stage after making remarks critical of President Obama. $40.

3. Old Town Boutique District Warehouse Sale

Photograph by Erik Uecke.
Periwinkle. Photograph by Erik Uecke.

400 Courthouse Square, Alexandria; February 6

Shoppers who crave the luxury of boutique stores but also bargain-basement prices get the best of both at this annual gathering. The Shoe Hive, Periwinkle, Betsey Fisher, and more than 20 other participants offer steep discounts—up to 80 percent off!—to make room for spring arrivals. No admission fee, but arrive early for a chance at the best stuff. Free.

4. Othello

Image courtesy of Shakespeare Theatre Company.
Image courtesy of Shakespeare Theatre Company.

Shakespeare Theatre Company, February 23–March 27

This production brings the racial tensions Shakespeare identified in the early 17th century right up to modern-day, Trump-infused America: It features Pakistani-American actor Faran Tahir (the villain Raza in Iron Man) as the outsider in a white society, placing a Muslim actor in a role more recently played by African-Americans. $44 to $118.

5. Cloud Gate Dance Theatre of Taiwan

Photograph courtesy of the Kennedy Center.
Photograph courtesy of the Kennedy Center.

Kennedy Center, February 12–13

A work about “the lifecycle of rice”—hey, is this a New Yorker feature or a dance performance? Artistic director Lin Hwai-min harvested rice in Taiwan’s rural Chihshang township to prepare for the multimedia work, set in part to songs that farmers once sang. $19 to $75.

6. Scandal

Photograph by Eric McCandless/ABC.
Photograph by Eric McCandless/ABC.

Starting February 11 on ABC

Is white-hat-wearing badass savior Olivia Pope First Lady material? Catch the midseason premiere to find out.

7. The Walking Dead

Photograph by Gene Page/AMC.
Photograph by Gene Page/AMC.

Starting February 14 on AMC

Be still, your bleeding, undead heart. The Walking Dead returns on Valentine’s Day.

8. 11.22.1963

Photograph by Sven Frenzel.
Photograph by Sven Frenzel.

Starting February 15 on Hulu.

James Franco. Stephen King. The Kennedy assassination. Time travel. Don’t miss it.

9. Astronaut Academy

Photograph by Dane Penland/National Air and Space Museum.
Photograph by Dane Penland/National Air and Space Museum.

National Air and Space Museum’s Steven F. Udvar-Hazy Center, February 12, 13, 20, and 27

Be honest: You probably wouldn’t mind if once in a while your kid took her oft-fantastized-about trip to Mars. This immersive experience at the Udvar-Hazy Center, framed as a game for older elementary- and middle-school students, will help her get some virtual red dust under her fingernails for about 90 minutes—long enough for parents to enjoy the earthbound pleasure of an uninterrupted cup of coffee. Free.

10. Joel Grey

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Sixth & I, February 23

The title of Joel Grey’s new memoir, Master of Ceremonies, may refer to his captivating turn as the darkly mischievous emcee in the musical Cabaret on both Broadway and film, but it goes well beyond that. The Oscar winner, who was married to a woman for 24 years, spoke openly about his homosexuality for the first time last year. His book shares the story of a life lived both on the stage and in the shadows. $16 ($30 for ticket plus book).

11. Katsucon

Photograph by Flickr user Vincent Milum Jr.
Photograph by Flickr user Vincent Milum Jr.

Gaylord National Resort & Convention Center, February 12–14

You might not recognize all the characters at this annual anime convention, but as cosplay has risen in prominence over the past several years, the arms race of costume production at conventions like Katsucon has become enough of a spectacle to lure all but the most unwilling participant. Even if Dragon Ball Z is just a distant childhood memory, the elaborate makeup and pageantry are fairly impressive in their own right. Plus, amateur artists are always on hand to sketch you a quick chibi—a type of caricature in which you’re made to look like a teeny anime character—for less than the price of some movie tickets. $70 to $75.

12. MAGfest

february2016-thingstodo-magfest

Gaylord National Resort & Convention Center, February 18–21

Forget the sanitized glitz of Comic-Con—with 20,000 enthusiasts gathering for live-action role-playing and pretty much every video game ever, this is the real nerd get-together. It can also turn weird after dark: A Craigslist personal ad posted during last year’s festival recruited participants for a Sonic the Hedgehog–themed orgy. $70 to $75.

13. 2Cellos

Photograph via Flickr user Bridget Samuels.
Photograph via Flickr user Bridget Samuels.

DAR Constitution Hall, February 21

Croatia’s 2Cellos is a novelty act: The group transports rock and pop songs such as AC/DC’s “Thunderstruck” and Michael Jackson’s “Smooth Criminal” to its titular instruments. The result sounds kind of terrible, but Luka Sulic and Stjepan Hauser are exhilarating performers. Your skepticism will last no longer than the horsehair on their bows as they shred on “Smells Like Teen Spirit.” $47.50 to $67.50.

14. Constellations

Image courtesy of Studio Theatre.
Image courtesy of Studio Theatre.

Studio Theatre, February 10–March 6

A beekeeper and a physicist meet cute at a barbecue—the only thing remotely familiar in Nick Payne’s head-spinning romantic drama about alternate realities. The London production, with Sally Hawkins and Rafe Spall, won the 2012 Evening Standard Award for best play. Last year, Jake Gyllenhaal and Ruth Wilson tackled it on Broadway. Now comes Studio director David Muse’s version. Intellectual buzz, check. Lump in throat, check. $20 to $55.

15. Sweat

Photograph by Jenny Graham.
Photograph by Jenny Graham.

Arena Stage, January 15–February 21

Playwright Lynn Nottage spent two years interviewing residents of Reading, Pennsylvania, before penning her turn-of-the-millennium drama, Sweat, which aims to capture industrial decline. Her time was well spent: A New York Times review of the play compared Nottage’s work to August Wilson’s, and Arena Stage, which co-commissioned Sweat, has stacked the cast with Tony nominees Kimberly Scott (above with Jack Willis) and Johanna Day. $40 to $127.

16. Baltimore Symphony Orchestra: An Evening With Sutton Foster

Photograph by Laura Marie Duncan.
Photograph by Laura Marie Duncan.

Strathmore, February 18

With a voice that brings new magic to old standards, Sutton Foster could turn anyone into a musical-theater geek. The two-time Tony winner has worked in film and television—including the lead in TV Land’s Younger—but it’s onstage, belting Broadway hits, where her star quality shines brightest. $40 to $104.

17. The Industries of the Future by Alec Ross

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After hopping the globe as Secretary of State Hillary Clinton’s senior adviser for innovation, Alec Ross has written a book-length response to such daunting questions as: What will be the world’s biggest problems in the next decade, and how can start-ups and research labs solve them? Washingtonian’s Hillary Kelly got some answers.

In your travels, what one technology or practice did you discover to be commonplace elsewhere yet absent from American life?

Messenger apps like WhatsApp are ubiquitous outside of America. The idea of paying for an international call on your mobile phone is an anachronism around the world while we’re still dialing away here in the USA.

You’re a longtime Baltimore resident. What specific innovations, if undertook, could dramatically improve the quality of life there?

Hundreds of thousands of Baltimoreans would benefit from the chronic disease-monitoring mobile apps gaining widespread use in the developing world and, ironically, among wealthy Americans.

Can you give examples of how the government, which isn’t known for its tech savvy, could better serve citizens through technology?

Well, let’s remember that the federal government did supply a few useful technologies over the years, including GPS and the internet. There are places in government that use technology well—look at the NSA. Having said that, the single best thing the government could do is to blow up the federal procurement process. Don’t reform it—start from scratch. I would start tomorrow. Give every department and agency total autonomy to self-regulate while whole-of-government regulations are being developed. Would there be some mistakes? Yes, but it would still be worth it.

What’s one innovation that’s off the radar now but that you see as a crucial part of life in the near future?

I think we’re just a few years away from all of us having a deep understanding of our individual genetic makeup and making lifestyle decisions based on that information. There are early-stage companies doing genetic tests and analysis for several thousand dollars today that will be done for a couple hundred dollars in the future. When that happens, we’ll also head to the lab and learn a lot more about what we can do to live longer and healthier.

Looking forward ten years, are you hopeful or scared for our planet?

Hopeful. The last wave of innovation transformed how we communicate and conduct business. The next wave will transform fields like transportation and agriculture. It would not surprise me if my children stop driving before they turn 30 because of self-driving cars. [They’re now 13, 10, and 8.] The combination of big data and farming should be the 21st-century equivalent of the green revolution. I’m not utopian, but tomorrow will be better than today.

18. Lost in the Stars

Photograph by William M. Brown.
Photograph by William M. Brown.

Kennedy Center, February 12–20

Kurt Weill and Maxwell Anderson’s 1949 opera is an adaptation of Alan Paton’s seminal South African novel, Cry, the Beloved Country, with music influenced by African spirituals, Broadway, and blues. The Washington National Opera production, with bass-baritone Eric Owens (right)—the star of WNO’s The Flying Dutchman last year—brings the book’s themes of heartbreak and redemption to life. $79 to $235.

19. Beauty Pill

Photograph by Stefano Giovanni.
Photograph by Stefano Giovanni.

Rock & Roll Hotel, February 6

This DC experimental-rock band’s 2015 LP, Beauty Pill Describes Things as They Are, could be described with rock clichés: comeback album, near-death experience, extended art project. But of course the album was going to be informed by the cardiac infection that nearly killed frontman Chad Clark in 2007 and the long recording process at Arlington’s now-defunct Artisphere. Songs such as “Drapetomania!” and “Exit Without Saving” prove Beauty Pill is our smartest, most daring, and maybe oddest local band. $15.

20. Ladysmith Black Mambazo

Photograph courtesy of George Washington University.
Photograph courtesy of George Washington University.

Lisner Auditorium, February 12

It’s been 30 years since Ladysmith Black Mambazo collaborated with Paul Simon on Graceland, and the South African group is celebrating that album’s anniversary on this tour. All told, the band has released dozens of albums and earned four Grammys. This gig features songs spanning the group’s career. $40 to $70.

This article appears in our February 2016 issue of Washingtonian.

The Article 20 Things to Do In DC This February appeared first on Washingtonian.

Clinton Yates Leaves Washington Post for ESPN’s Undefeated

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Clinton Yates is the latest Washington Post journalist to get poached by ESPN’s The Undefeated. He’ll be a senior writer at the publication.

Former Post managing editor Kevin Merida announced in October that he planned to leave the Post to run The Undefeated. Since then Soraya Nadia McDonaldMichael Fletcher, and Lonnae O’Neal have joined. Former Posties Steve Reiss and Jason Reid have gone over, and former sports section star Mike Wise announced in November 2014 he’d join the publication, which was at the time headed by Jason Whitlock.

Reached by instant message, Yates says he has been in talks with The Undefeated before: “The truth is that when Jason Whitlock was first planning to start the site, I was approached to write for it, and I considered it.” When Merida joined, he says, “my interest in it was resparked.”

Merida,  “a guy I’ve considered a friend and mentor for quite some time,” Yates says, reached out to him about leaving.  Asked what he plans to write about there, Yates was unable to say for sure, but said “the thing about being a black writer is that people always add the label to whatever’s being written. I’m hoping to be one of the people, along with the many tremendous voices at the site who can show people that the true depth, complexity and overall fullness of what blackness and thus its writing is about.”

I asked Yates what he learned from the Post in the nine years he was there (first at Express, then in Metro, finally in Sports). The answer is worth a blockquote.

There are a couple things I learned at The Post, besides the obvious. Number one is the news still fucking matters. If you write about things people care about in an honest way, people will pay attention. While the death of one particular brand of it may be declining or whatever, it certainly doesn’t mean that people stopped caring about the outside world.

Secondly, I learned how to write. Simple as that. There are so many people I could thank, but I want to make specific mention of Vanessa Williams, who early on had the guts and gumption to push for me to write my own newsletter, Lunchline, which is effectively where I found my voice as a writer. She edited that, on her own time, for 3 months before it ever came out. She thought people would like it, she pushed me to be better and it was a product that I still cherish to this day for how it allowed me to grow as a professional. I owe her so much.

It’s almost impossible to truly quantify what I’ll miss because I’m from D.C. I grew up reading this paper, quite literally. As a high school athlete, I got a stupid kick out of seeing my name in box scores. That later changed to the same kick of seeing my name on a byline. My entire concept of what journalism, is and isn’t is wrapped up in this publication, in many ways.

I’ve made friends here, I’ve learned so much, there’s no way for me to say what I’ll miss the most. I might feel differently about this had I been leaving straight from Local, where covering the city I’m from was such an all-encompassing mind task that I could barely imagine myself ever doing anything else. But right now, I’m going to miss the people I work with. I’m going to a great place, but I’d be lying if I said I wasn’t going to miss the other folks in this building.

The Post‘s memo says Yates is “not leaving The Post softball team,” a fact that is total b.s. in my opinion but one Yates confirms is true. (I understand why–I have competed against him as a member of Washington City Paper‘s team, and it was no fun at all.) He may, he says, change his at-bat music, which last season was “Easy Rider” by Action Bronson.

So yes, he will remain in DC and keep covering things here–“the scope will be more national than what most people have come to expect of me in the past,” he says of his new job, but “D.C.’s where I was born and raised, so there’s really no way that side of me is ever going to go away.”

 

 

The Article Clinton Yates Leaves Washington Post for ESPN’s Undefeated appeared first on Washingtonian.

Secrets of DC: Your How-To Guide to Living In Washington

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Washington is full of very smart people with secrets to share. So we asked dozens of the area’s cognoscenti to dish. What are tricks for making great small talk at a party? What’s a sure-fire way to get out of jury duty? How can you get a meeting with someone powerful? In this guide, you’ll find advice on matters that confront just about every Washingtonian—whether you’ve always wondered how to get invited to a White House state dinner, how to tell if your neighbor is a spy, or how to ask someone that classic DC question “What do you do?” in a less obnoxious way.

1. How to Be Friends With Someone Whose Politics You Disagree With

Photographs by Cultura/Getty Images.
Photographs by Cultura/Getty Images.

Former senator Tom Coburn shares his expert advice. Read more…


2. How to Work a Room

Roxanne Roberts, a Washington Post reporter who regularly writes about the social doings of Washington’s elite, shares her pro tips. Read more…


3. How to Avoid Getting “Dock Blocked” On a Capital Bikeshare Bike

The Capital Bikeshare program manager shares her pro tips. Read more…


4. How to Get Access to Powerful People

A lobbying group chairman shares his tricks. Read more…


5. How to Talk Baseball With a Professional

Photograph by Flickr user Scott Ableman.
Photograph by Flickr user Scott Ableman.

Ryan Zimmerman, Nationals first baseman, shares his pro tips. Read more…


6. How to Get an RSVP to an Unanswered Invitation

Judith Martin, a.k.a. Miss Manners, the etiquette columnist shares with us her expert tips. Read more…


7. How to Get a Good Seat on a Crowded Amtrak Train

A redcap at Union Station lets us in on pro secrets. Read more…


8. How to Handle Snow Like a Pro

Snow advice from a Washingtonian raised in Buffalo. Read more…


9. How to Have a Good Conversation at a Party

Illustration by Jason Schneider.

NPR’s Ari Shapiro gives us four ways to make small talk less awkward. Read more…


10. How to Tell If Someone Is a Spy

A former CIA operative gives us a guide to spotting a spy. Read more…


RELATED: Four books to help you navigate Washington like a pro.


11. How to Get Into DC’s Hottest Clubs

Tip No. 1: network on social media. Read more…


12. How to Arrange a “Gift” of Marijuana

Photograph by The Image Bank/Getty Images.
Photograph by The Image Bank/Getty Images.

Since it’s against the law to buy cannabis from people in DC, the cofounder of Capitol Hemp shares how to properly “gift” weed. Read more…


13. How to Give a Killer Toast at a Wedding

A speechwriter for Vice President Joe Biden tells hows how we can nail it. Read more…


14. How to Take a Selfie With a Celebrity

The Chew’s Carla Hall dishes on how to do it the right way. Read more…


15. How to Make the Guest List for a State Dinner

A former White House social secretary shares her pro tips. Read more…


16. How to Avoid Getting Sick When You Meet and Greet All Day

Photograph via iStock.

Dr. Anthony Fauci shares his pro tips. Read more…


17. What to Say to Someone In the Middle of a Public Embarrassment

Anthony Weiner, a former congressman who resigned after explicit tweets of him surfaced, gives advice to those stuck in the middle of a public nightmare. Read more…


18. How to Get Out of Jury Duty

A renowned DC criminal and civil-defense lawyers tells us how to get of the hook. Read more…


19. How to Play a Game Against Your Boss That You’re Better At

Arne Duncan, who’s known to play pick-up with President Obama, says: “No mercy.” Read more…


20. How to Politely Say No to a Request

Photograph via iStock.

David Rubenstein demonstrates. Read more…


21. How to Ask Someone in a More Courteous Way “What Do You Do?”

An etiquette consultant shares how to ask without seeming rude. Read more...


22. How to See Stars in the Sky Close to DC

A NASA employee shares the best spots to stargaze around Washington. Read more…


23. How to Resolve a Dispute With Your Neighbor

We talked to a lead US negotiator in last year’s deal to prevent Iran from developing a nuclear weapon. Because there’s no messing around when it comes to settling a disagreement between neighbors. Read more…


24. How to Tell If Someone Is Lying

A former FBI assistant director shares four ways you can spot a liar. Read more…


25. How to Score the Best Spot at Your First Indoor Cycling Class

Illustration by Jason Schneider.
Illustration by Jason Schneider.

Four tips from a Zengo instructor. Read more…


26. How to Eat Dinner On 14th Street With No Reservation

A 14th Street resident shares her insider tips. Read more…


27. How to Look Crisp and Professional When You Commute to Work By Bike

A cyclist who has been riding to work for 20 years lets us in on his secret to staying fresh. Read more…


28. How to Bring Your Dog to Work (And Not Be a Jerk)

A congressman shares how to bring your furry pal to work without annoying everyone in the office. Read more…

This article appears in our January 2016 issue of Washingtonian.

The Article Secrets of DC: Your How-To Guide to Living In Washington appeared first on Washingtonian.

With Rand Paul’s Exit, Has the “Libertarian Moment” Died Once Again?

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times-magazine-punkIn August 2014, the New York Times Magazine asked a question worthy of a thousand hot takes: “Has the ‘Libertarian Moment’ Finally Arrived?” The story, accompanied by a cover inspired by a Fugazi flier, pointed to the rise of US Senator Rand Paul of Kentucky and followed Reason.com and Reason TV honcho Nick Gillespie between the publication’s offices on Connecticut Avenue and a festival he attended in Lancaster, New Hampshire.

About 500 campers sat attentively, while several others stood off to the side, Hula-Hooping as they listened. Arrayed before Gillespie were several boxes of exotically flavored Pop-Tarts that he had purchased at the Lancaster grocery store. He held them up as evidence that individualism was flourishing and choices were in abundance or, as he put it, “The libertarian moment is now.”

Other outlets were more than happy to exercise their creator-given rights to answer the Times‘s question. “The ‘Libertarian Moment’ Has Definitely Not Arrived,” David Harsanyi wrote in the Federalist. David Frum at the Atlantic served up “Why the ‘Libertarian Moment’ Isn’t Really Happening,” and Daniel Greenfield explained “Why the Libertarian Moment Isn’t Here.” Damon Linker wrote up a rare defense of the LibMo: “Yes, the libertarian moment has arrived,” in the Week.

Yes, the Moment got thoroughly outpolled in early contests, not unlike…Rand Paul, who dropped out of the race for the Republican presidential nomination Wednesday, an event Ian Millhiser at ThinkProgress quickly commemorated with a piece called “Rand Paul and the Libertarian Moment That Never Was” and Ramesh Ponnuru marked with “There Never Was a ‘Libertarian Moment.’”

Last October, a story in Politico used Paul’s star-crossed campaign to document “The False Rise and Fall of Rand Paul” (subhead: “He was supposed to embody a new libertarian moment. But there never was one.”) “Have the media ever been more wrong?” author Michael Lind asked.

But by the time Paul exited, Gillespie had tried several times to take a scalpel to the news media’s grasp of the Moment. It’s a wave, he argued in May of last year, not a splash one politician could make: The Moment represents “comfort with and demand for increasingly individualized and personalized options and experiences in every aspect of our lives.” In December, he wrote that “politics is a lagging indicator of where America is headed. It will be the last area of our lives to be transformed.” (Yet on Wednesday, he still fêted Paul’s campaign for injecting libertarian thinking on criminal justice reform and surveillance into the race.)

Reached by phone, Gillespie again mentioned Pop-Tarts as an example of the vast amount of choices people have today—”I should be getting a royalty from Kellogg’s,” he says about his fondness for the toaster-pastry metaphor—but says the Libertarian Moment is “absolutely independent of what idiot is running for president or dogcatcher.” Poll after poll, he says, shows younger people identifying with libertarian tenets like smaller government, unhappiness with government interference into their personal or sex lives, and unfettered business growth.

“If you enjoy the choice coming through your screen via Netflix,” he says, you’re chilling to libertarian principles. 

Reason’s audience has grown, Gillespie says. Its magazine doesn’t report circulation to the Alliance for Audited Media; but he says it’s about 45,000 for the print and digital editions of the magazine, down from a high around 60,000 at the beginning of the 21st century. Digitally, though, he says the audience is up a lot, with about 4 million visits per month. That sounds like a count of pageviews, not individual readers–data from comScore show Reason.com had an average of 655,000 unique visitors per month in 2015, with more than a million unique readers in April and June.

The future of the libertarian movement, it seems, will depend on how well it convinces voters, particularly young ones, that they’re already libertarians but don’t know it. Paul veered away from classic libertarianism in the race, especially with regard to gay marriage and immigration. (Gillespie and Reason have described him as “libertarian-ish.”) “If the Republican Party wants to benefit from its small-government rhetoric,” he says, “it has to become libertarian not just in its language but in its action.” Besides Netflix and Pop-Tarts, Gillespie sees libertarianism’s biggest impact in policies like school choice and forcing government units to compete with private entities to, say, run toll roads. The sum of all that libertarian thought, he says, is a “system that delivers a Whole Foods rather than a ‘Socialist Safeway‘ in Adams Morgan.” 

A libertarian president may be a longer-term goal than decent produce. Until the Republican Party meets libertarian-minded, if not libertarian-identifying, voters on issues like immigration and spending, he says, it won’t see the inside of the Oval Office anytime soon.  “The Republican Party is not yet succeeding at the national level, in terms of presidential elections, because they don’t get libertarianism yet,” Gillespie says. 

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David Remnick on Why You Can’t Act Like a Typical Print Neanderthal on the Radio

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Since he started conducting interviews for broadcast, New Yorker Editor David Remnick has learned to care about how he sounds. This is not a small thing for print journalists. “You can’t afford yourself the same Neanderthal self-projection,” Remnick says.

“When I do a print interview I don’t care how I sound, and I don’t care if there’s 20 minutes of silence, as long as my basket’s being filled steadily,” he says, and he can keep directing the conversation, “even with grunts.”

In addition to his duties at the magazine, Remnick now hosts The New Yorker Radio Hour, which WAMU recently started broadcasting in the Washington area on Sundays at 3 PM. The show, also available as a podcast, passed its 17th episode last week and is broadcast on 109 stations around the US.

It sometimes uses magazine stories from its titular magazine as a jumping-off point, but The New Yorker Radio Hour is not an audio version of the publication: “That would be too boring,” Remnick says. “I can’t imagine anything more ridiculous than reading New Yorker comics or New Yorker pieces over the radio, no matter how good. It’s like dancing over the radio.”

New York’s WNYC Studios co-produces the show, and six staffers from the public broadcasting powerhouse have embedded with the magazine in parent company Conde Nast’s building, attending story meetings and spending “much of their time with The New Yorker,” says Dean Cappello, WNYC’s executive vice president and chief content officer. WNYC’s goal is to bring listeners “the actual ‘sound’ of The New Yorker–its reporters, its artists and illustrators, and of course its editor, David Remnick, who, it turns out, is a natural for radio,” Cappello says.

Remnick says his role is not as an “imperial editor,” either on the show or at the magazine. He considers that sort of control-freakery “what the New York Times calls a barnyard epithet,” and says good editors empower writers instead of micromanaging them. He expresses admiration for former New York Yankees manager Joe Torre, who “was able to put great players on the field and let them play as opposed to Billy Martin, who would put great players on the field and make them nervous wrecks.”

The show is fact-checked; Remnick says he’s had to rerecord intros to pieces to capture nuances that researchers felt he’d missed. Conveying humor is as hard to do convincingly on the air as it is in typed journalism–“one of the difficult arts is the profile that’s incidentally funny,” he says. On the show, “We’ve had some things on that are funny that worked but it’s difficult to do even if it lasts two minutes.” He says he doesn’t want a solemn show–“it’s not the Partisan Review Hour“–but he wants its serious stories to be occasionally leavened.

I’ve believed for a long time that public radio could bring a wider audience to the great work that appears in The New Yorker,” says J.J. Yore, WAMU’s general manager.  The magazine “publishes some of the nation’s most sophisticated news and cultural coverage,” Yore says, “so adding a show that’s trying to translate that material into audio is a natural for WAMU’s smart, inquisitive listeners.” The station has been tweaking its lineup as part of a general makeover. Sundays also now feature Freakonomics Radio, Reveal, and The Big Listen, a show about podcasts produced by WAMU’s own Lauren Ober.

Remnick remembers fondly his time in Washington, when he covered sports and other topics for the Post. Going into newsrooms today, he says, is kind of weird: “it’s so quiet because people are reporting by email so much.” The convergence of audio storytelling with the New Yorker‘s traditional strengths “reminds me of the first days when the Web got more ambitious.” Back then, he says, publications’ digital sides got very little resources and served as companion sites. Digital journalism has changed the velocity of print journalism, for the better, mostly: “I think people work a hell of a lot harder because there’s more to do.”

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The Washington Post‘s New Building Has a Mouse Problem

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The Washington Post‘s new building boasts many amenities, including upgraded desks and a handy (if slightly prison-gym-like) bike room. But as anyone who’s moved knows, sometimes you take your problems with you. Like your owner’s unique taste in clothes, for example.

Or mice.

“As much as we wanted to bring cherished memories from the old building with us, I think we would all agree that the idea the mice staying behind was appealing to all,” deputy managing editor Tracy Grant told employees in an email last month, telling them the news organization has “had several mouse sightings” since moving to its new home.

To combat the problem, Grant promised more large trash containers, but she also asked for help from staffers: “I’m asking everyone to pay attention to putting uneaten food in the trash, not leaving open food out overnight and otherwise behaving here as you would at your home.”

Post employees used 6,000 packing crates to move their stuff into the new facilities, and noted urban rodentologist Robert Corrigan says it’s possible that some mice from the old building may have hitched a ride: “I have found mouse nests inside employees’ old shoes stored beneath desks as well as the pockets of forgotten coats, both of  which get thrown into the plastic tubs in the rush of moving day,” he writes in an e-mail. Furniture can also host stowaways, Dr. Corrigan tells Washingtonian.

One way to know, he suggests, is that if sightings are relatively few (less than six total), there’s a “high possibility” they made their way to Franklin Square from the Post’s old home on 15th Street, Northwest.  But, he says, if mice have been spotted in multiple areas, especially multiple floors, it’s “definitely NOT immigrant mice”–those interlopers were there when the Post moved in. BUT! “The exception would be if the old office building had a VERY bad mouse infestation when the tenants moved, and so it is possible relatively many mice also moved.”

Washington Post spokesperson Kris Coratti tells Washingtonian there is “No hard evidence to speak of” that sightings have declined since Grant sent the memo, and yet a survey of my Post contacts failed to turn up anyone who’d actually spotted a mouse. (If you see one, please try to get a photo and e-mail it to me.)

Any victories against mice may prove fleeting, Corrigan says. In this part of the US, “the house mouse exists in some level in virtually every office building, school, eatery, grocery store, bodega, apartment complex, etc. etc.” He continues:

The house mouse is, in fact, the 2nd most successful mammal on Earth.  It didn’t get to that prestigious standing among all mammals on Earth  without  having something going for it in adaptation and rapid “species expansion” ability).   And, we as humans are much more “in touch” with  the mouse at home and at play and at work whether we know it not, or like it or not,  than we are to our cats and dogs.

Here’s Grant’s memo.

    All,

We’ve now been in our new home six weeks and we’ve had several mouse sightings. As much as we wanted to bring cherished memories from the old building with us, I think we would all agree that the idea the mice staying behind was appealing to all. But the reality is, if a population of 700 people leaves food out, we will have mice. I realize that some of the problem centers on not having enough large trash containers on the floors and that problem will be remedied next week.  So. I’m asking everyone to pay attention to putting uneaten food in the trash, not leaving open food out overnight and otherwise behaving here as you would at your home.

I thank you, even if our furry friends don’t.

T

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Don’t Expect Margaret Sullivan to Write Just Once a Week at the Washington Post

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margaret sullivanNew York Times Public Editor Margaret Sullivan will join the Washington Post as a media columnist, the Post announced Monday. She’ll write a weekly column that will “encompass everything related to digital media, and how that transformation is affecting people’s lives and work, along with journalism, news literacy, privacy and free speech, and media personalities,” executive features editor Liz Seymour told staffers in a memo.

Sullivan will work in the newsroom, and she says that while the plan is for her to write just once a week, her new job will include “lots of other things, I hope, because I don’t write just once a week.”

“I enjoy being in the mix frequently,” she says.

Sullivan significantly raised the role of public editor at the Times since she took the role in 2012. There, she was supposed to write every other week but hit the ground with a blog post on her first day and began ombudspersoning immediately, taking on Nate Silver for challenging Joe Scarborough to a wager and the Times itself for hiring a CEO implicated in a British media scandal. Her energy for being tough on the Times never flagged, even after she announced late last year that she wouldn’t serve another term as public editor: In late July, she took the paper apart for missing the story of Flint, Michigan’s water supply, dismantling objections that it was a matter of resources:

After all, enough Times firepower somehow has been found to document Hillary Clinton’s every sneeze, Donald Trump’s latest bombast, and Marco Rubio’s shiny boots. There seem to be plenty of Times resources for such hit-seeking missives as “breadfacing,” or for the Magazine’s thorough exploration of buffalo plaid and “lumbersexuals.” And staff was available to produce this week’s dare-you-not-to-click video on the rising social movement known as “Free the Nipple.”

Sullivan is the former editor of the Buffalo News and has some DC connections–she attended Georgetown University and lived here during grad school; her son, now working in the public defender’s office in Buffalo, lived here for a summer as well. She offers Apple’s clash with the FBI as an example of something she’d like to cover and says David Carr’s former media column for the Times is something she’ll give a lot of thought to as she gets this one off the ground: “You can’t write a media column without thinking about how David Carr would have approached it. Nobody can be like David Carr, but I can do it my own way.”

The Post already has a few people on the media beat–Erik Wemple, who writes for the Post‘s opinion shop but still does reporting (including on the Post), Paul Farhi, who covers media for Style, and Callum Borchers, who joined the Fix blog last fall to cover the media of the presidential election.

“Margaret has been doing one of the most awkward and painful jobs that anyone can do in this industry,” Wemple says by phone. The Post, unlike the Times, has no public editor or ombudsman and relies instead on a reader representative who does not engage in activities anyone would recognize as media reporting. Sullivan says she has no plans to report on her employer–“if something came up that directly involved the Post I wouldn’t go out of my way to avoid it, but I wouldn’t seek it out either,” she says. But, she says, “This is not in any way a public editor job. I just want to make that clear!”

Sullivan says Times Publisher Arthur Sulzberger Jr. offered her the opportunity to stay for another two-year term, but “I told him I was very appreciative of that but I felt like the public editor should have an outsider’s perspective.” After three years, she said, she was losing that.

“It’s been a privilege to do this, and I really appreciated the chance to do this,” Sullivan says of public editing, “but I want to be on the other side of the fence again.”

Here’s Sulzberger’s memo to Times staffers about Sullivan’s departure.

The Washington Post announced this morning that they have appointed a new, very high-profile media columnist, Margaret Sullivan.

As many of you know, Margaret’s four-year term as public editor was scheduled to come to an end in August. She will now depart sooner than expected, but the difficult task of replacing her is already well underway and this job is a great one for Margaret, one that she is clearly qualified to do well.

When ​she ​ was appointed public editor in 2012, we hoped that ​Margaret would take on a more active role as the initiator, orchestrator and moderator of an ongoing conversation about The Times’s journalism for the benefit of our readers. She has done that and more. She has ushered the position into a new age.

The role of public editor is not the easiest to hold here, or I suspect anywhere. The very nature of the job sometimes puts the person holding it in conflict with some of us, both in the newsroom and even in the executive ranks. Margaret could be tough, but in my view, she has always been fair. She has lived up to the mission of the job, to represent readers and respond to their concerns and to hold this institution to our values. She has my deep appreciation and affection.

​We ​will be in a position to name Margaret’s successor very soon. In the meantime, there will be ample opportunity for all of us to wish her well as she has agreed to stay on for a number of weeks. And, given the role ​Margaret is to assume, ​I expect many of us ​will continue to be in regular contact.

Please join me, along with Dean and Andy, in thanking and congratulating her.

Arthur

 

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How Fareed Zakaria Defeated the Media Reporters

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Of all Fareed Zakaria’s accomplishments—a wildly successful career in print journalism, book publishing, and television broadcasting—perhaps his most important is also his least appreciated: He has demonstrated that media reporting is next to useless.

It’s been more than a year since two bloggers laid out in gothic detail Zakaria’s pattern of incorporating without credit the work of prominent academics and journalists into his own. Yet Zakaria’s high-flying career has barely wobbled. He still hosts a show on CNN, still writes a column for the Washington Post, and last year published yet another conversation-starting book, In Defense of a Liberal Education (from the epigraph: “The world henceforth will be run by synthesizers . . . .”).

The bloggers weren’t the first to allege that Zakaria took a collaborative approach to journalism. In 2012, he was suspended by CNN and Time magazine after Tim Graham at the right-wing Media Research Center noted he’d included passages by New Yorker writer Jill Lepore in a Time column. In a 2009 dustup, the Atlantic’s Jeffrey Goldberg noted that Zakaria used, without credit, quotes from Goldberg’s interview with Benjamin Netanyahu.

How does Zakaria survive? In part, he has been lucky in his accusers. His external investigation in 2014 came courtesy of two people who speak publicly only under their Twitter handles, @crushingbort and @blippoblappo; they documented Zakaria’s textual sampling on a blog called Our Bad Media. Their pseudonymity has given Zakaria cover: Unlike his chief critics, this line of thought goes, Zakaria publishes under his real name.

Those defending Zakaria, on the other hand, were distinguished members of the trade. Vanity Fair columnist Michael Kinsley compared @crushingbort and @blippoblappo’s work to a “McCarthy-era publication that would put you on the blacklist and stamp you as a Communist so you couldn’t get work in Hollywood,” and Slate Group chairman Jacob Weisberg said the two were “making mountains out of molehills.” Even Goldberg gave a limited endorsement in 2012, writing that Zakaria was “sloppy and callous, but he wasn’t a fabulist.”

After the Lepore kerfuffle, Post editorial-page editor Fred Hiatt said an “overextended” Zakaria had promised to pay more attention to his column. Since then, Hiatt tells Washingtonian, “Fareed has been more than true to his word: He has made the column his priority, and I believe in 2015 it was stronger than ever.”

Zakaria’s alleged offenses, however, are numerous enough that it’s hard simply to dismiss them as “bad manners,” as Weisberg suggested. Filtering Zakaria’s output through Google searches and following up at the library, @crushingbort and @blippoblappo found that Zakaria has made a years-long practice of weaving whole sentences and quotes from other publications into his work, not only in print but in what he says on his CNN show. This technique, often called “patchwriting,” to distinguish it from the artisanal form of plagiarism, still evinces unoriginal thought and still is cheating.

“Everything we posted was verifiable, and the idea that our anonymity somehow excused or lessened Zakaria’s plagiarism always seemed silly,” says @crushingbort (who, like @blippoblabbo, would comment only by e-mail and Twitter direct messages), adding that he “likely will” come clean about his identity at some point.

“The most important part of our real identities: We aren’t journalists,” @blippoblappo says. “We’re two people who did all of this in our free time and who had to stop doing it because we have bills to pay.”

Nonetheless, media reporters (including me) who tried to follow bort and blappo’s leads—examining and opining, trying to get comment from employers and publishers—have moved on. Really, the only careers that got dinged in this whole mess belonged to two Huffington Post journalists who were reportedly suspended after running a post that aggregated accusations against Zakaria without seeking comment from him. Both later left the company.

One regret @blippoblappo has is not building a more “bulletproof” case against Zakaria, “because I’m absolutely sure that a real journalist dedicating their 9-to-5 to the task could do so.”

Except for a statement to Politico, Zakaria has, as best as I could find, pursued a policy of silence about @crushingbort and @blippoblappo. CNN declined my request for an interview with Zakaria, and he even turned down an interview with CNN media correspondent Brian Stelter when he covered their allegations. After the Lepore incident, Zakaria’s outlets “just waited the firestorm out,” says @crushingbort. This time, too, he says, “CNN and the Post made a bet that they could wait out two guys on Twitter with goofy user names, and they were pretty much right.”

Indeed, the moment in media history that l’affaire Zakaria occupies may best explain why he’s been given so many passes. The Washington Post’s top online stories last October—the month before it blew past the New York Times in web readership—included a humor piece reimagining famous quotes as if women had to say them in meetings as well as a speculative item about a “strange star that has serious scientists talking about an alien megastructure.” Zakaria’s columns—a dispatch from Davos (where he also, uh, interviewed Netanyahu) or tightly written advice on how to battle ISIS—serve as a blue-chip counterweight to such easily shareable stuff. “I always learn from his columns, and I think our readers do too,” Hiatt writes in an email. “If The Post had overreacted to the incident you are revisiting, it is our readers who would have lost out.”

@crushingbort told me, “I’m pretty sure that Fareed Zakaria could have plagiarized the entirety of Infinite Jest and still have a job.” That bit of hyperbole may have some logical validity to it, but as David Foster Wallace wrote, “logical validity is not a guarantee of truth.” Or maybe I wrote that? My notes are unclear.

Senior editor Andrew Beaujon can be reached at abeaujon@washingtonian.com.

This article appears in our March 2016 issue of Washingtonian.

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23 Things to Do In DC This March

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1. “Turquoise Mountain: Artists Transforming Afghanistan”

Arthur M. Sackler Gallery, March 5–January 29, 2017

This show turns the Sackler into an immersive exhibit inspired by the old city of Kabul. After decades of conflict, the market fell to ruin, and now the charity Turquoise Mountain has charged itself with rebuilding Kabul into the diverse and vibrant community it once was. You’ll walk through a bustling Central Asian market filled with exquisite jewelry and woodwork, handmade ceramics, and other art, crafts, and goods.

2. Flamenco Festival

Rafaela Carrasco brings her gorgeous take on flamenco dance to Lisner. Photograph by Luis Castilla.
Rafaela Carrasco brings her gorgeous take on flamenco dance to Lisner. Photograph by Luis Castilla.

Lisner Auditorium; March 8, 12, 18, and 19

Lisner’s Flamenco Festival is an annual reminder that Washington’s dreary winter will soon end. This year’s highlights include dazzling modern from Rocío Molina and the Ballet Flamenco de Andalucía, whose director, Rafaela Carrasco (above), wrings thunder from hand claps and heel strikes. $25 to $65.

3. Environmental Film Festival in the Nation’s Capital

Filming City of Trees, a local documentary by Brandon Kramer (right) and brother Lance. Photograph of City of Trees Courtesy of Meridian Hill Pictures
Filming City of Trees, a local documentary by Brandon Kramer (right) and brother Lance. Photograph of City of Trees courtesy of Meridian Hill Pictures.

Various venues, March 15–26

The documentary City of Trees chronicles the lives of people caught up in the Green Corps, which started with federal stimulus funds to create jobs and change lives. Filmmakers Brandon and Lance Kramer grew up in Washington, and their first feature gets a double premiere March 16 and 23 at the Environmental Film Festival (free to $30). Writer David Taylor spoke with the brothers.

Q. Your film crosses two worlds in DC. How did it come about?

A. Lance Kramer: We were working in the same building as Washington Parks & People. On a whim, we made a short film about the Green Corps’s first project, called Community Harvest,about the transformation of this vacant alley into a community garden. Through that, we got to know Steve Coleman, the leader of the Green Corps, and Charles Holcomb, the trainee who eventually became a Green Corps team leader. We became fascinated that the change being attempted in people’s lives was much more complicated and messy than the change happening in the landscape. So we looked at the training of the trainees, and next put the camera in their hands.

A. Brandon Kramer: We saw that we had a window into a small nonprofit that was handed a large stimulus grant to take on this ambitious goal of training hundreds of DC residents in urban forestry.

Q. When did you two realize you could work together?

A. Brandon: We both came back to DC for our grandfather’s funeral. He’d had a butcher shop in Union Market, started by our great-grandfather, called Kramer & Sons. It’s like our grandfather’s last gift to us was creating an opportunity for us to come together at the exact right moment.

Q. I gather the local premiere will be unusual. What do you hope it will do?

A. Lance: We didn’t want a situation where it’s showing only, say, in Dupont Circle. We wanted to be sure the community portrayed in this film has the same access to the story as anyone else. There will be two events, at least—one at the Carnegie Institution for Science near Dupont Circle (March 16, $10) and one at THEARC, a newer cultural center in the heart of Ward 8 (March 23, free).

Brandon: Our production company is here in the city, almost all the crew live in the city, and all the participants live in the city. The premiere will be unique in that if you turn left and right in your seat, chances are someone on either side of you worked on the film in some capacity or was touched by the story or was in the film.

4. CeeLo Green

March Things to Do In DC

Howard TheatreMarch 1

With a career punctuated by bizarre stunts such as his Liberace-inspired Las Vegas residency and a series of icky tweets about rape, it’s sometimes hard to remember that CeeLo Green also sang and cowrote the Gnarls Barkley track “Crazy,” was a founding member of the Atlanta hip-hop group Goodie Mob, and gave us pop music’s best vengeance anthem in “F–k You.” Our advice: Use this appearance to reminisce about the good parts of his career. $34.50 to $75.

5. Carlos Mencia

Photograph by Randy Shropshire.
Photograph by Randy Shropshire.

Arlington Cinema & Drafthouse, March 31–April 2

Is it time to forgive Carlos Mencia? The comic is almost as well known for accusations of joke theft and grandstanding as he is for his long-ago Comedy Central show. But as Mencia told theMiami Herald last year, he’s not due for a comeback: “The comeback is the audience.” $30.

6. After the War

Photograph of After the War Illustration Courtesy of Mosaic Theater Company
Photograph of After the War illustration courtesy of Mosaic Theater Company.

Mosaic Theater Company, March 24–April 17

Playwright Motti Lerner’s drama After the War follows an expat pianist returning to Israel after the 2006 war with Lebanon. The last time Mosaic founding artistic di-rector Ari Roth produced a Lerner play—2014’s The Admission—it caused a rift with the DC Jewish Community Center, and he eventually got tossed from Theater J. At his new theater, you can expect an emotionally gripping, uncompromising show, directed by Sinai Peter. $20 to $60.

7. At the Edge of the Orchard by Tracy Chevalier

March Things to Do In DC

You’d never guess it by the locales of some of her books (Vermeer’s studio in Girl With a Pearl Earring, London in Falling AngelsParis in The Lady and the Unicorn), but Chevalier is from Washington. Her new work returns to her native country but focuses on the swamps of Ohio as the Goodenoughs (yep, that’s their name) work to make their apple orchard a success amid familial and natural turmoil. Chevalier appears at Politics and Prose March 18 at 7.

8. Diane Rehm

Photograph of Rehm Courtesy of Getty Images/Alfred A. Knopf.
Photograph courtesy of Getty Images/Alfred A. Knopf.

Sixth & IMarch 31

Radio talk-show host Diane Rehm has become a leading advocate for the right to die. Here’s your chance to hear her speak about On My Own, her new book that’s both a memoir about her late husband’s battle with Parkinson’s and a call to action for legalizing assisted suicide. $20 to $50.

9. Laurie Anderson

Photograph of Anderson Courtesy of The Kennedy Center
Photograph courtesy of The Kennedy Center.

Kennedy CenterMarch 4–6

Decades into her career, Anderson is still not phoning it in, still defying prediction. This multimedia show’s title, “Language of the Future: Letters to Jack,” is an umbrella term for her ongoing meditations on American culture. If we’re lucky, she might play an electric-violin solo as an encore. $36 to 45.

10. As Close to Us as Breathing by Elizabeth Poliner

March Things to Do In DC

Poliner is known to aspiring local authors as a longtime Writer’s Center instructor; she’s now at Hollins University. Her new novel is about a family vacationing on the Connecticut shore in 1948, when the narrator’s brother is killed in an accident. That’s mentioned in the first sentence, though the repercussions are revealed gradually. Poliner appears at Politics and Prose March 19 at 6.

11. House of Cards

Photograph by David Giesbrecht/Netflix.
Photograph by David Giesbrecht/Netflix.

Netflix, Starting March 4

After two years of Frank Underwood (Kevin Spacey) scheming and murdering his way to the Oval Office, the third season of Netflix’s flagship political soap was a bit of a comedown—Underwood tried to be a good, policy-focused leader, only to wind up with wife Claire (Robin Wright, below) walking out on him. Netflix has offered few hints about the fourth season, which features newly single Frank running for his first full White House term. But if he wants another turn in office—and if Netflix executives want more seasons—he’ll need to return to his bad self to win our support.

12. Shamrock Fest

Photograph by Danilo Lewis.
Photograph by Danilo Lewis.

RFK Stadium, March 12

Flogging Molly. Dropkick Murphys. A “hot kilted leg” contest. Pledges of fast beer service. Irish . Big men playing bagpipes. If these things say “party” to you, you’ll have the time of your life at Shamrock Fest, whether you’ve got Irish ancestry or just appreciate the strange, bro’d-up US version of Irish heritage, in which a set by Vanilla Ice makes perfect sense. $24.99 to $89.99.

13. The Flick

Photograph courtesy of Signature Theatre.
Photograph courtesy of Signature Theatre.

Signature TheatreMarch 1–April 17

Playwright Annie Baker’s 2014 Pulitzer Prize–winning play is an affecting comedy about those who clean up after us. Between sweeping stale popcorn and scraping gum from chair bottoms, three underpaid employees of a dilapidated one-screen movie house recite the details of their humdrum lives, revealing the heartbreaks, missed chances, and buried regrets that make us all human. $40 to $94.

14. Pablo Francisco

Photograph by Tomas Wihitehouse.
Photograph by Tomas Wihitehouse.

DC ImprovMarch 17–20

The Chilean-American comedian uses funny voices and impressions to deliver creative, high-energy commentary on pop culture and its oddities, such as death metal and taking ecstasy in nightclubs. $30.

15. Logic

Logic has a thing for Rubik’s Cubes—he owns dozens and likes to solve them while he raps. Photograph by Emily Shur.
Logic has a thing for Rubik’s Cubes—he owns dozens and likes to solve them while he raps. Photograph by Emily Shur.

EchostageMarch 31

In 2011, the rapper Logic’s breakthrough video for the song “All I Do” showed the Gaithersburg native swaying through landmarks at the University of Maryland and in DC alongside a gold-chained Gumby mascot. Since then, he’s moved west, and today the 26-year-old has two studio albums that showcase his smooth cadences, vivid storytelling, and emotional range. Help welcome Logic home this month and journey through his growing catalog of hits. $43.45.

16 & 17. Which Geezer-Rock Show Should You Attend?

Photograph by Josh Cheuse.
Photograph of AC/DC by Josh Cheuse.

AC/DC

Location: Verizon Center
Date: March 17
Ticket prices: $75 to $140
Tour name: Rock or Bust
Original members remaining: Angus
Average age of current members: 64.4
Sign of aging: Headlining the Grammys
Hey, where’s the drummer? Phil Rudd is under house arrest for making death threats.

The Who

Location: Verizon Center
Date: March 24
Ticket prices: $49.50 to $149.50
Tour name: The Who Hits 50!
Original members remaining: Pete and Roger
Average age of current members: 71.5
Sign of aging: Meningitis
Hey, where’s the drummer? RIP, Keith.

18. The Harlem Globetrotters

Photograph courtesy of Monumental Sports.
Photograph courtesy of Monumental Sports.

EagleBank Arena, March 18–20

Washington basketball can be called “theater” under only two circumstances: when Stephen Curry is playing the Wizards and when the Harlem Globetrotters are in town. Since 1926, the Globetrotters have put on a one-of-a-kind show that melds sports, Three Stooges–style slapstick, and dexterous stunts. So what if you know who’s going to win the “game”? $25.50 to $152.50.

19. DC Independent Film Festival

Various venues, March 4–13

The DCIFF faces new competitive forces: What was once an argument against corporate entertainment is now a full-throated defense of sit-ting in the dark with others. Last year, it launched an oral-history project on local moviegoing; this year’s films include Train Station,with 42 (!) directors, each of whom visualizes a man’s choice after a train wreck. Free to $25.

20. 1984

Photograph by Manuel Harlan.

Lansburgh TheatreMarch 11–April 10

You probably read 1984 in high school, and you’ve probably casually dropped “Big Brother is watching” into conversations about your creepy-if-you-think-too-hard-about-it iPhone camera in the years since. But this production of George Orwell’s novel—adapted by the British theatre company Headlong—adds multimedia sounds and images, not only to emphasize the question of what kind of surveillance is acceptable but also to make the audience voyeurs just as guilty as the Thought Police. $20 to $118.

21. WWE Live: Road to Wrestlemania

Verizon Center, March 27

WWE is in the midst of an unexpected heel deficit, with champion bad guy Seth Rollins laid up with a knee injury. For this event, Sheamus, Kevin Owens, and trombone-toting sort-of villains New Day try to draw your jeers. Roman Reigns and Dean Ambrose, as usual, represent all that’s right in the universe. $20 to $110.

22. The Musical Box

Photograph courtesy of MoKi Media.
Photograph courtesy of MoKi Media.

Howard TheatreMarch 6

The Musical Box transports audiences back to 1973, specifically to Genesis’s career-making Foxtrot concert tour—recreated in painstaking detail from old photos, clippings, and interviews. Don’t miss your chance to see “Phil Collins” and “Peter Gabriel” perform in costumes including cross-dressing foxes and glow-in-the-dark bats. $32.50 to $67.50.

23. “Amending America”

National Archives MuseumMarch 11–September 4, 2017

Celebrate the Bill of Rights’ 225th anniversary with a show on how we’ve tried to amend our Constitution. The union may be more perfect, for example, now that drunken stupors and holding office if you’ve ever dueled are legal.

This article appears in our March 2016 issue of Washingtonian.

The Article 23 Things to Do In DC This March appeared first on Washingtonian.

Washingtonian‘s Writing and Design Honored

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washingtonian-dec-2015-coverWashingtonian is a finalist in five categories in the City and Regional Magazine Association’s annual awards competition for its work in 2015, CRMA and the Missouri School of Journalism announced.

The magazine received finalist nods in the reporting, excellence in writing, feature design, and general excellence categories. In addition, senior writer Luke Mullins is a finalist for writer of the year.

The CRMA recognized Washingtonian‘s December cover story on Metro, by Mullins and Michael J. Gaynor, with finalist positions in its reporting and feature design awards.

The Article Washingtonian‘s Writing and Design Honored appeared first on Washingtonian.

DC Singer/Songwriter Owen Danoff Made a Splash on “The Voice”

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Owen Danoff got a “four-chair turn” on the NBC show The Voice Tuesday, which means the former DC singer/songwriter had Pharrell Williams, Christina Aguilera, Blake Shelton, and Adam Levine all asking him to join their “teams” following his blind audition. Danoff chose Levine’s squad.

Danoff performed Bob Dylan‘s “Don’t Think Twice, It’s All Right.” He no longer lives in DC, but his roots here are deep–his dad, Bill Danoff, was a cofounder of the Starland Vocal Band and cowrote the John Denver hit “Take Me Home, Country Roads,” and Owen Danoff was an artist-in-residence at Strathmore in 2012 and 2013. Here’s his audition:

 

The Article DC Singer/Songwriter Owen Danoff Made a Splash on “The Voice” appeared first on Washingtonian.


4 Complex Headlines That Explain the Breitbart Mess

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Last Tuesday Corey Lewandowski, Donald Trump‘s campaign manager, grabbed the arm of Michelle Fields, a reporter from Breitbart News, as she tried to ask a question after an event in Florida. Ben Terris, a reporter for the Washington Post, witnessed the incident. Lewandowski and Trump denied anything had happened, but video shows him, in fact, grabbing Fields’s arm. Fields resigned from Breitbart News Sunday following a period of intramural turmoil at the conservative publication.

And that turmoil is what’s kind of complicated to explain. Though headline writers have really tried!

• “Breitbart Suspends Reporter Who Implied Co-Worker Lied About Being Attacked By Trump Staffer” — Mediaite, March 10.

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This headline reflects two discrete stories: 1) One of Fields’s now-former coworkers, Patrick Howley, cast doubt on her statements; 2) Howley got suspended. (Howley’s Twitter antics caused him trouble at another recent job as well.)

• “Washington Post reporter rebuts Breitbart story about possible mistaken identity in Michelle Fields incident“–The Washington Post, March 11.

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This headline tries to get its arms around a weird turn of events: Breitbart published a story by senior editor at large Joel B. Pollak on March 11 that said “the Washington Post’s account of an altercation involving Breitbart News reporter Michelle Fields could not possibly have happened as Ben Terris reported.” The article was updated many times throughout the day, eventually landing on the headline “Video Shows Lewandowski Reaching in Michelle Fields’s Direction.” Media reporter Erik Wemple‘s story about the article in the Washington Post quotes Terris taking a shot at explaining what the heck was going on: “This is Breitbart.”

• “Breitbart News Spokesperson Kurt Bardella Quits, Michelle Fields Files Police Report against Trump Campaign Manager” –iMediaEthics, March 12

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Two events on Friday collided in a Saturday-morning catchup post on iMediaEthics. First, Breitbart News spokesperson Kurt Bardella quit representing the publication, saying “It would be fair” for BuzzFeed reporter Rosie Gray to say he was leaving because of how Breitbart was handling the Fields situation.  Separately on Friday, Fields filed a report about the incident to police in Jupiter, Florida.

• “Breitbart piece mocking editor who resigned was written under father’s pseudonym” –Politico, March 14

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A lot to unpack here. Fields and editor-at-large Ben Shapiro resigned from Breitbart on Sunday. Breitbart then for some reason published a piece ripping both of its former colleagues; it called Shapiro an “ambitious conservative gadfly, who is known to live on the edge, courting and then leaving a series of companies over the past several years” and ended with the sentence “Alleged Fox News contributor Michelle Fields also resigned.” Breitbart deleted the post (archived here), which Pollak told Politico’s Hadas Gold he wrote as “part of an effort to make light of a significant company event.” As part of the fun, Pollak (who warned staffers to “STOP tweeting about the story” over the weekend) used the byline “William Bigelow” on the piece–a pseudonym used by Shapiro’s father, David Shapiro, when he wrote for the site. I have no idea to what that name refers, but it does echo the Carousel character Billy Bigelow, a carnival barker who returns to Earth after his death to reconnect with his child.

• This piece will surely be updated after some brave headline writer tries to encompass Monday’s developments: More staff resignations and Patrick Howley apparently being un-suspended.

 

The Article 4 Complex Headlines That Explain the Breitbart Mess appeared first on Washingtonian.

Cherry Blossoms Will Hit Peak Bloom March 23-24, a Little Later Than Forecast

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DC’s cherry trees will hit peak bloom on March 23, the National Park Service says, five days later than it had forecast earlier this month.

The Park Service said on March 8 that the blooms would peak between March 18-23, which would have been one of the earliest bloom dates on record. March 23 is still pretty early. The National Cherry Blossom Festival’s opening ceremony is scheduled for March 26.

The Article Cherry Blossoms Will Hit Peak Bloom March 23-24, a Little Later Than Forecast appeared first on Washingtonian.

Which Super Tuesday Is It? The Washington Post Would Like to Know

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Tuesday’s primaries in Florida, Ohio, North Carolina, Missouri, and Illinois are very important–so much so that the Washington Post has christened the day with two different super names: “Super Tuesday 2,” at 8:45 AM, and “Super Tuesday III,” at 2:45.

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Screen Shot 2016-03-15 at 3.08.45 PM

“Can we get a ruling for consistency sake whether it is Super Tuesday 2 or 3? We’ve got two heds on the homepage right now calling today different things,” Post homepage editor Amanda Finnegan wrote in an email to the National Politics staff.

Ask for a ruling in a newsroom and you’ll likely get one: Today’s contests are now officially Super Tuesday 2, topic editor Doug Wong replied. Though, confusingly, the Super Tuesday III headline persists.

Sorry, March 8! You just weren’t that super after all. Or maybe you were.

The Article Which Super Tuesday Is It? The Washington Post Would Like to Know appeared first on Washingtonian.

Why Washington’s Reaction to PJ Harvey’s DC Song Makes It Look Like a Cowtown

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PJ Harvey wrote a song about Washington, DC. It is called “The Community of Hope.” It is a good song, and Harvey is an excellent musician and songwriter. She’s responsible for some of the finest pop albums of the last 20 years, starting with 1992’s Dry and continuing, with similarly excellent results, to today.

How did Washington greet the news that one of the world’s best pop musicians wrote about it? Why, with absolute outrage, of course! How dare Harvey bring an outsider’s eye to Washington, and speak publicly about what she saw?

Leah Garrett of Community of Hope, a nonprofit that shares a name with the song title, told WAMU’s Ally Schweitzer that the song “presents an incomplete picture of the District’s poorest communities,” as Schweitzer put it. Community of Hope wrote a florid letter to Harvey complaining about the song:

By calling out this picture of poverty in terms of streets and buildings and not the humans who live here, have you not reduced their dignity? Have you not trashed the place that, for better or worse, is home to people who are working to make it better, who take pride in their accomplishments.

Former DC Mayor Vince Gray told DCist’s Rachel Kurzius he would not “dignify this inane composition with a response.” His campaign treasurer, a human being named Chuck Thies who’s usually not this wrong about cultural matters, said “PJ Harvey is to music what Piers Morgan is to cable news.” DC Councilmember Yvette Alexander tweeted “I respect all artist forms of expression, but this song does not reflect Ward 7!”

If I could enact one wish for the Washington area, it wouldn’t be for voting rights for DC, or for the Redskins to change their name, or for Politico to stop spelling its name in capital letters. You guys use your wishes for that. Give me the magic wand, and I’ll make this city stop acting like a bunch of hayseeds driven into blind rages by even the dimmest of spotlights.

You see this same impulse flare whenever the New York Times has the gall to write a travel story about Washington. Within minutes, local writers will begin tweeting what it got wrong, and media outlets, including this one, will publish stories mocking the words of the interlopers.

Stop. This is not how people in actual big cities behave. This, my fellow Washingtonians, is cowtown behavior. (Even worse, for journalism outfits: It’s entirely predictable!) There’s a grand and important tradition of outsiders remarking in print upon the places they’ve visited, from Alexis de Tocqueville to Bruce Chatwin to Elizabeth Gilbert. Pop music is not generally noted for its documentary acumen, but even in that field artists like Public Enemy, Neil Young, and Nina Simone have written beautiful and important critiques of places where they didn’t live.

The reason you don’t often hear New Yorkers or Parisians or Londoners flipping their wigs about finding themselves the subject of a correspondent’s report is because of a quality people here could use a bit more of–the deep self-confidence that comes with not giving a crap about what visitors think. Harvey’s song is about a city that doesn’t know how bad it can look to outsiders. Clearly, she got something right.

The Article Why Washington’s Reaction to PJ Harvey’s DC Song Makes It Look Like a Cowtown appeared first on Washingtonian.

NPR Won’t Promote Any Podcasts On-Air, Even Its Own

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NPR standards and practices editor Mark Memmott this week posted a slightly eyebrow-raising memo from Chris Turpin, the network’s vice president for news programming and operations: “We are also fielding more and more questions from news staff and Member stations about our policies for referring to podcasts on air,” Turpin writes.

There must be no “call to action” on the part of on-air staff: “We won’t tell people to actively download a podcast or where to find them. No mentions of npr.org, iTunes, Stitcher, NPR One, etc.” The rules “apply to all podcasts, whether produced by NPR or by other entities.”

On-air hosts don’t have to completely pretend that podcasts don’t exist. Turpin provides examples of good and bad ways to acknowledge the wildly popular form of audio programming:

GOOD:

“That’s Linda Holmes of NPR’s Pop Culture Happy Hour podcast and our blogger on the same subject and Bob Mondello, NPR’s film critic. Thanks so much.

BAD:

“OK, everyone. You can download Alt.Latino from iTunes and, of course, via the NPR One app.

Reached by email, NPR spokesperson Isabel Lara says, “People know how to find podcasts. It’s like when we talk of books on air: we mention the title & author, not the bookstore.”

Podcasts are a point of tension between NPR and the member stations that carry its programming. As the audience of NPR stations ages, on-air listenership has dropped. At the same time, digital listenership has bloomed, but as Tyler Falk reported for the essential public-media-tracking publication Current last year, NPR senior research editor Gwynne Villota said, “at this point, we don’t think that digital listening is making up for the lost broadcast listening.”

Since NPR CEO Jarl Mohn started in 2014, though, the network has sought to collaborate more closely with its member stations, whether by collaborating on investigative reports or on fundraising efforts.

Which is great, but so is NPR One, the network’s audio-streaming app, which may as well not exist on air: “For now, NPR One will not be promoted on the air,” Turpin writes. Asked why NPR won’t promote the app, Lara says, “We continue to work with our Member stations to fully realize a complete local/national listening experience on NPR One. Until then, we’ve decided not to promote on air.”

The Article NPR Won’t Promote Any Podcasts On-Air, Even Its Own appeared first on Washingtonian.

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